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Up to 56 streams of 4K ProRes 2. Up to 5. Up to 5 X faster 8K project render 4. The tools you need. From start to finishing. New Duplicate Detection Quickly display any audio or video that appears more than once in your project with highlighted clip ranges in the timeline. Motion and Compressor Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro.
Motion Learn more. Compressor Learn more. Advanced color grading. Every pixel closer to perfection. High Dynamic Range. Image simulates the effect of HDR. ProRes RAW. RAW flexibility Work with untouched image data directly from your camera sensor. Take your work further. In every direction. Closed captions. Open to all. Import Create Edit Deliver. Step up from iMovie to Final Cut Pro. Extend the power of Final Cut Pro. Third-party apps.
First-class integration. Learn more about workflow extensions. Dazzling visual effects. Learn more about third-party effects. Beautiful, customizable templates. Learn more about third-party templates. Five amazing apps. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.
Learn more about Compressor. Quickly display any audio or video that appears more than once in your project with highlighted clip ranges in the timeline.
Or you can list all matches in the Timeline Index. Select a clip to show its duplicates and use keyboard shortcuts to instantly navigate between them. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips. Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro.
Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. Learn more. Use keyframes to adjust corrections over time, and apply camera and creative Look Up Tables LUTs for the perfect look.
Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface. Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges. Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.
Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. Shoot on industry-standard cinema cameras, or in stunning Dolby Vision with the latest iPhone models. You can view beautiful HDR content on a variety of Mac computers that use the reserve brightness of the display to show an extended range of light levels.
View High Dynamic Range video the way it was meant to be seen. The amazing MacBook Pro display delivers up to 7. Import, edit, and grade original, untouched footage with RAW data straight from your camera sensor — without sacrificing any speed or smoothness. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats.
Work with untouched image data directly from your camera sensor. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows. Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services.
You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file. Add an existing caption file to your project and Final Cut Pro automatically connects each caption to the corresponding video or audio clip in your timeline. Type captions from scratch — in multiple languages and formats — and watch the text play back in real time right in the viewer.
Or use third party services in a workflow extension to automatically transcribe clips and convert them into captions. Attach captions to connected audio or video clips in the timeline so they move in sync with your edit. Macromedia could not release the product without causing its partner Truevision some issues with Microsoft, as KeyGrip was, in part, based on technology from Microsoft licensed to Truevision and then in turn to Macromedia. The terms of the IP licensing deal stated that it was not to be used in conjunction with QuickTime.
Thus, Macromedia was forced to keep the product off the market until a solution could be found. At the same time, the company decided to focus more on applications that would support the web, so they sought to find a buyer for their non-web applications, including KeyGrip, which by was renamed Final Cut. Final Cut was shown in private room demonstrations as a 0. At the demonstration, both Mac and Windows versions were shown. The Mac version was working with a Truevision RTX dual-stream real-time card with limited real-time effects.
When no purchaser could be found, Apple purchased the team as a defensive move. In order that Final Cut Pro would be supported from the beginning with third-party self-paced and instructor-led training, Apple worked with DVcreators. Apple worked with DVcreators. After the introduction of Final Cut Pro, Adobe Premiere's market share remained strong on Windows but began to decline on the Mac as its older codebase was more difficult to maintain.
The Oxygen Network was a beta site for Final Cut Pro in late through network launch in early In late , Independent Producer, Michael A. He cited the relatively new platform hadn't failed once while rendering his film, which was not what he experienced with Avid. After completing much of the leg work under a separate agreement between The Oxygen Network and his production company during beta testing of Final Cut he became an outspoken advocate.
The studio motion picture The Rules of Attraction was edited on beta versions of Final Cut Pro 3, proving to the film industry that successful pulldown matchback to 24fps could be achieved with a "consumer" off-the-shelf product.
His advocacy of the product gave confidence to mainstream editors such as Walter Murch , that the product was ready for "prime time. In August , the application won a Primetime Emmy Engineering Award for its impact on the television industry. Final Cut Pro 4 was announced in April It included three new applications: Compressor , used for the transcoding between video formats; LiveType for advanced titling such as the creation of animated lower thirds ; and Soundtrack , for royalty-free music soundtrack creation.
It also bundled Cinema Tools , which was previously sold separately for filmmakers working with telecine. It uses the same interface as Final Cut Pro, but it lacks some of the film-specific tools and other advanced options, limiting the feature set for non-professional editors. Soundtrack was subsequently removed with Final Cut Express 4. In April , version 4. The software had been capable of uncompressed HD editing since version 3.
In March the Universal Binary 5. Upgrades were achieved by sending the original installation discs back to Apple with a fee.
One noticeable difference is that the Intel versions of Final Cut and Motion no longer recognize After Effects plug-ins. Instead, Apple released its own universal plug-in architecture FxPlug. Once again, Apple did not have a booth at NAB , though the product was well represented on the show floor in various booths. In its initial release, Final Cut Pro X was met with mixed reviews as many video editors eschewed its dramatic departure from the traditional editing interface and the dropping of many legacy and some non-legacy features.
At the time of the initial release, a significant number of long-time Final Cut Pro users considered the new product to be an unsatisfactory product undeserving to be part of Final Cut Pro product line. The initiator of the petition was banned from the Apple discussion forums.
Learn more about Keynote. For professionals ready to push their creativity, these industry-leading apps offer maximum control over editing, processing and output of music and film. Logic Pro puts a complete recording and MIDI production studio on your Mac, with everything you need to write, record, edit and mix like never before. Learn more about Logic Pro. Take your Mac to the stage with a full-screen interface optimised for live performance, flexible hardware control, and a massive collection of plug-ins and sounds that are fully compatible with Logic Pro.
Learn more about MainStage. Learn more about Final Cut Pro. Motion is a powerful motion graphics tool that makes it easy to create cinematic 2D and 3D titles, fluid transitions and realistic effects in real time. Learn more about Motion. Add power and flexibility for exporting projects from Final Cut Pro. Customise output settings, work faster with distributed encoding, and easily package your film for the iTunes Store. Learn more about Compressor.
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